In her work she has created a strong and evocative language to give expression to her contemporary life that finds it sources for inspiration in nature.
She likes to experiment with many media. Her work, is a new reflection about the connection of an 'inner order' present inside the nature.
She also likes to play with identity, media and roles.
FEATURED PROJECTS
Nothing more will come to exist that has not already been seen in some relatively similar form.
Since contemporary art has entered in every possible space, even those that are foreign to it, like daily life, since day by day matters have like wise found their place in art, we can perceive and see art virtually anywhere: artist, however are still capable to surprise us with a sort of reinterpretation to give surprise and to appears us in a
different way.
THE SILENCE OF THE NATURE
Animals in wild life suffer much pain. Mr. Newall, in The Problem of Pain in Nature (Paisley: Alexander Gardner, 1917.), explains in a simple way why he regards this shadow on Nature as, on the whole, of mans imagining.
A dragon-fly which has lost its hindquarters is not thereby hindered from eating a good many flies, and finishing up with its own lost parts.
And death shall have no dominion
(1936)
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And death shall have no dominion.
Dead men naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and the clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Thought lovers be lost love shall not;
And death shall have no dominion.
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And death shall have no dominion.
Under the windings of the sea
They lying long shall not die windlily;
Twisting on racks when sinews give way,
Strapped to a wheel, yet they shall not break;
Faith in their hands shall snap in two,
And the unicorn evil run them through;
Split all ends up they shan't crack;
And death shall have no dominion.
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And death shall have no dominion.
No more may gulls cry at their ears
Or waves break loud on the seashores;
Where blew a flower may a flower no more
Lift its head to the blows of the rain;
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Though they be mad and dead as nails,
Heads of the characters hammer through daises;
Break in the sun till the sun breaks down,
And death shall have no dominion.
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Dylan Thomas
L'Abécédaire de Gilles Deleuze (“Gilles Deleuze's alphabet book”) is a French television program produced by Pierre-André Boutang in 1988–1989, consisting of an eight-hour series of interviews between Gilles Deleuze and Claire Parnet.
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Art is a fiction, is a fake, is artificial, constituting a territory is nearly the birth of art, nature is without artificial is artless
In the Preface to Part III, Spinoza states his view that all things alike must be understood to follow from the laws of nature:
The 'laws and rules of nature', according to which all things happen, and change from one form to another, are always and everywhere the same. So the way of understanding the nature of anything, of whatever kind, must also be the same, viz. through the universal laws of nature.
LeBuffe, Michael, Spinoza’s Psychological Theory, The Stanford Encyclopedia of Philosophy (Spring 2022 Edition), Edward N. Zalta (ed.)
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